Özdemir proposes a new theoretical model, Tritonet, that provides a unique approach to music theory by reintroducing the ‘Circle of Fifths’. It offers additional components that turn the circle into a musical calculator, which can be used to construct musical structures visually.
Dealing with the interconnections between music and the written word, this book brings into focus an updated range of analytical and interpretative approaches which transcend the domain of formalist paradigms and the purist assumption of music’s non-referentiality.
The Israeli Defence Forces’ Representation in Israeli Cinema
This title looks at whether Israeli art and film now place a focus on soldiers not as fighters, but as victims, and discusses the relationship between King David as an adult and the State of Israel half a century after its establishment.
The fifteen chapters here look at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals, demonstrating how lyrics set to music can reflect, express and construct collective identities.
This compendium of interdisciplinary research presents new “readings” on topics from opera by Handel and Mozart to 1960s popular sound. Chapters discuss operatic lighting, Wagner’s leitmotif technique, music and social media, and the art and politics of the collective Laibach.
Sound in Motion
This collection sheds light on the intimate relationship between music and audiovisual culture in contemporary society. It includes indispensable studies on music and cinema, as well as original research on music in videogames and television.
Operetta
Explore the world of operetta, from Vienna and Paris to London and Broadway. This essential guide profiles the genre’s principal composers with biographies, detailed work lists, and selected synopses of their iconic stage works.
Towards a Model of Gravitonicity
What is musical “gravitation”? This book proposes a new model: the “Gravi-Tone Series.” Using audio analysis and Chord Scale Theory, it maps twelve “distance” values to pitches—a system metaphorically shaped by physical space, offering a unifying perspective on harmony.
Hindustani Traces in Malay Ghazal
This monograph investigates the Malay ghazal, in its various shapes and with its different meanings, in order to study the musical traces of Hindustani culture. It describes the development of the ghazal, from its early forms to its modern transformation into local art.
Wright assesses the relevance of aural in a university music degree and as a preparation for a classical musician’s career. The main areas investigated are the relationship between aural ability and success in a music degree, and views about aural and its career relevance.
Britten’s music is complex and contradictory. This collection of essays by performers, musicologists, and theorists challenges assumptions about musical constructs, text/music relationships, and the personal influences on his compositional technique.
Why is music censored? It’s not always about the lyrics. This volume examines music censorship from a global perspective, arguing that the reasons for bans often lie beyond verbal messages and in the complex historical, structural, and emotional interpretations of sound itself.
Opéra-Comique
Opéra-comique, a French genre not always comic in nature—the most famous example, Bizet’s Carmen, is a tragedy—reflected the cultural life of France. This sourcebook details its forgotten composers and operas, providing a way into a changing age.
Jean Sibelius’s Legacy
This conference proceedings draws upon the most current achievements of Sibelius research. It covers all of the genres in Sibelius’ production: orchestral works, incidental music, piano and chamber music, and songs, including both well-known works and rarities.
Performance Analysis
This collection of essays explores the connections between music theory, interpretation, and performance. It delves into performance studies—focusing on gesture, bodily movement, and emotion—and addresses artistic practices in the 21st century.
Diversity in Australia’s Music
This volume showcases the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss both Western and non-western genres and the history of music-making in the country.
A master of the commercial society in which he lived, Rossini built his own brand and a significant fortune. This book analyzes how the composer achieved his wealth and how his operas reflect topics such as money, commercial transactions, advertising, and passion.
This volume offers a cross section of current directions in music analysis. Music analysis is presented as a vibrant, multi-faceted field of research that constantly re-examines its own postulates while establishing dialogues with other disciplines.
Giacomo Meyerbeer
This volume presents the libretto for Meyerbeer’s final grand opéra, L’Africaine. A fictional treatment of Vasco da Gama’s voyage, it is a mixture of history and fairytale. In this edition, the original text and its English translation are on facing pages.
Letellier delves into the relationship between the Bible and the world of music, an association that is recorded from ancient times in the Old Testament, and one that has continued to characterize the cultural self-expression of Western Civilization ever since.