On stage, hunger becomes a powerful spectacle. This volume explores the paradox of the thinning body, revealing how staged starvation—material, spiritual, and emotional—has shaped powerfully transgressive dramaturgies throughout history.
Breaking Forms
During Ireland’s “Celtic Tiger” boom, a new theatre emerged to express radical social change. Rejecting literary tradition for physicality and visual performance, artists explored what words alone could not. Breaking Forms analyzes this pivotal movement.
Grace under Pressure
This collection of essays offers a scholarly, critical analysis of the hit series Grey’s Anatomy. Authors examine topics including the show’s creation and marketing, the role of music, and its exploration of gender, family, and morality.
Film and Television Stardom examines stars as a social phenomenon from the silent era to today’s reality TV. It provides new insights on the star system, media spectatorship, and analyzes individual stars from James Stewart to Jessica Simpson.
These essays analyse the influences that shaped fictional selves on the early modern English stage. Specialists discuss plays by Marlowe, Shakespeare, and Jonson, revealing the stage self as a site of rich historical and discursive forces beyond the theatre.
Echo and Narcissus
While film studies has turned from spectator theory to audience research, this book argues for a productive nexus between them. It offers a revised model of the spectator through a re-reading of Ovid’s myth of Echo and Narcissus.
This essay collection analyzes recurring images of dismemberment on the western stage, from Classical Tragedy to contemporary drama. Contributors ask what a dismembered body means, revealing how drama’s dismemberment as a form challenges representation itself.
This pioneering book introduces the “feminine,” a dimension of film not reducible to women’s experience. Exploring this Jungian concept through movies spanning seven decades, it enhances the appreciation of film as a depth psychological medium.
The Shattered Mirror
This book is a response to changing representations of Irish identity during the ‘Celtic Tiger’ (1990-2005). Through literature and film, it interrogates widespread social change—from prosperity to multiculturalism—arguing that Irish identity changed radically.
To Inspire and Instruct
This collection of essays tells the story of how medieval art was collected by individuals and institutions in the American Midwest, considering the motives of donors, the formation of major collections, and evolving curatorial practices.
Sights Unseen
Many British films never make it to the screen. This book uses archival resources to reconstruct the stories behind these thwarted productions, providing an illuminating insight into the factors which have undermined the stability of the film industry in Britain.
This collection of essays explores Neo-Baroque tendencies in contemporary art. Scholars reveal how artists and architects fold past traditions into the present, finding parallels between the Baroque’s spectacle and fluidity and our own diverse, pluralistic culture.
Shifting Landscapes
An innovative understanding of Europe’s rapidly changing film and media scene. Eighteen analyses re-examine what “European” media means in an era of technological change, globalization, and shifting cultural and geographical borders.
Classical drama on the modern stage is a major cultural and political phenomenon. Intertwined with the politics of locale, language, and culture, its performance is a feature in all types of theatre. These essays provide case studies for everyone in the field.
In/Fidelity
This volume explores the controversial value of fidelity in cinematic adaptation. Moving beyond simple for/against debates, these essays suggest a continuum of critical perspectives, arguing that both adaptations and criticism operate on a spectrum of faithfulness.
Westerns
Popular Westerns powerfully impacted U.S. and European culture. Collected here are new studies of classic films by John Ford and Clint Eastwood, as well as new studies of seldom-studied writers such as Charles Portis and Oakley Hall.
Sensorium
This book reconfigures art and philosophy by returning to an older meaning of aesthetics: our capacity to receive sensations. Following Deleuze and Lyotard, it frames artists as experimenters with the sensible who extend our perceptual interface with the world.
Brechtian Theatre of Contradictions
An opponent of the GDR’s totalitarian regime, director Heinz-Uwe Haus used theatre to provide moral strength and survive dictatorship. This book collects his work to alert the present about a past too easily misrepresented, hushed up, and forgotten.
Highlighting the growing interest in consciousness studies, these essays explore the relationship between human consciousness and the arts, including theatre, literary studies, film, fine arts and music.
Alternatives within the Mainstream II
This introduction to queer sexualities on the post-war British stage charts a history from a climate of sexual repressiveness and criminalisation to a period of legal acceptance, covering gay, lesbian, trans and queer British theatres.