Practices of Abstract Art
Given the renewed interest in the phenomenon of abstract art, this collection of essays investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years, engaging it in its increasingly diverse cultural environment.
Pictorialism in Cinema
Valkola extensively explores the unique phenomenon of pictorialism and its connection with other arts in film and media studies, considering a number of theoretical and practical issues of filmic narration.
Magical Suspension
This book argues that movies appealed because they were fun. It examines the magic, myth, and memory that made films so enjoyable, and considers their significance as a cultural movement that has changed our lives. After all, the whole world is watching.
The Art of the Real
Art of the Real registers the materialist turn in contemporary visual studies. As scholars move beyond post-structuralist theory, this is the first book to treat the new materialism for its meta-theoretical commitments, ontology, and political implications.
Why does representational art thrive in the 21st century? This indispensable book skewers contemporary orthodoxies to provide the answer.
Beyond the Skin
“We are our bodies, we have our bodies, we make our bodies.” In a world of multiplying screens that transforms us into spectators, how do we find our identity? This book explores the boundary between bodies and technology to reclaim the social.
The Permanence of the Transient
Precariousness in art may be transient, yet it instigates permanent changes. These interdisciplinary essays examine the traces of precariousness in contemporary art, locating it as an undercurrent and connective tissue across diverse areas of knowledge and life.
From classical tragedy to post-9/11, these essays explore terror as a perennial theme in the arts—a thread woven into the fabric of artistic expression and life itself.
Rendezvous with the Sensuous
In Rendezvous with the Sensuous, explore the aesthetic experience where human sensuousness combines with that of nature. Where artistic expression coalesces with the natural world, you are invited on a synesthetic journey to appreciate the role of aesthetics.
Darkening Scandinavia
Darkening Scandinavia is a philosophical meditation on the true nature of the Northern Darkness. It explores the deeply-moving expressions of artists like Burzum, Nicolas Winding Refn, and Per Petterson, revealing the visceral Void in Nordic soulscapes.
Kitsch
Often dismissed as facile or lowbrow, kitsch is surprisingly complex. The contributors to this collection address how and what kitsch might signify, moving well beyond the simple binaries of good/bad, high/low, or art/kitsch into far more rewarding territory.
This book offers a unique collection of papers on inter-translatability, art, and ethics—subjects crucial for intercultural conversations today. It explores dialogue between East and West, asserting that any such conversation has to start with translation.
Culture and Dialogue
Culture and Dialogue explores dialogical practice within culture, be it philosophy, art, or politics. This Special Issue is devoted to the theme of “religion and dialogue,” bringing together a range of outstanding essays on the subject.
Socrates and Dionysus
Nietzsche argued Socratic reason destroyed the tragic art of Dionysus, pitting science against art. But are they enemies? This volume challenges that division, exploring how artists and thinkers bridge the gap between the world of fact and the world of fiction.
Cinema and Evil
This book explores films that address the problem of evil, drawing on thinkers from Manicheanism to Arendt. It considers how filmmakers like Fritz Lang and Michael Haneke use “dangerous” films to task us with considering evil as our own responsibility.
How do great works of art live on long after their cultures have vanished? This book rejects the idea that art is simply timeless. It argues that art transcends time through a process of metamorphosis, posing a major challenge to traditional aesthetics.
Dossier Chris Marker
A study of Chris Marker’s works, focusing on the dynamic interplay of political and subjective agency. It is this very conflict that animates all of Marker’s extensive works, which act as a “mask” or “screen” for forces that reside beyond the frame.
The public does not desire horror, yet enjoys it in art. In the monstrous marriage of the abject and the sublime, this thrill transforms the spectator into voyeur or victim. Representing horror means rendering it enjoyable—a game of limits that are no longer limits.
Just Images
This collection of essays explores the role ethics plays in the study of moving images. Scholars discuss how film engages with history, politics, trauma, and representations of the Other to reshape our thoughts on subjects like terrorism and conflict.
Ethics is not just ‘being good’, but living a ‘good life’. This book highlights that being good is a matter of acting good—of performing certain roles and duties. It explores this relationship between ethics and performance from natality to fatality.