Nietzsche and Van Gogh
In 1888, the lives of Friedrich Nietzsche and Vincent van Gogh converged. Driven by creative ambition but haunted by madness, their creative frenzies were synchronized, culminating in psychotic breaks just days apart. This book delves into the uncanny parallels between them.
Bodies, gender, and decolonial horizons are a new political front for justice. Uniting decolonial theory and trans* studies, this book asks what kind of politics can truly attack the hyper-flexible controls of the neoliberal current.
What does an artist express when creating artwork? What does a perceiver contemplate during an aesthetic experience? This book explores the object of reflection for both creator and viewer, relying on Malgorzata Cazarnocka’s conception of symbolic truth to provide answers.
This book shows that Eugene O’Neill’s modern American drama is a survey on the politics of desire and the power of doom. The city is the stage where his protagonists, as desiring machines, try to evade modern closed circles of power, anticipating concepts from Gilles Deleuze.
This book provides a critical analysis of creativity in art, focusing on artistic creation and aesthetic perception. Long dismissed from aesthetic discourse, it argues that studying creativity is essential to understanding the nature of the artistic and the aesthetic.
Labor and Writing
This book highlights the act of writing—humanity’s greatest cultural investment. It is the labor we use to record our past and construct our future. The essays within explore writing’s role at the heart of all enterprise, from identifying things to inventing new realities.
How Pictures Tell Stories
Storytelling is often associated with words, but pictures tell stories too. This book bridges the gap between language-oriented narratology and art history, examining the narrative aspects of pictures from a cognitive and semiotic point of view.
The Confucian Revival in Taiwan
Xu Fuguan is a central representative of Modern Confucianism. This book focuses on his fundamental contributions to philosophy, particularly his reinterpretations of Confucian and Daoist aesthetics. It highlights the link between ethics and aesthetics in his innovative theories.
Being and Film
This book develops a “solaristic ontology” of film—a philosophical system based on Andrei Tarkovsky’s 1972 sci-fi movie Solaris. It explores the nature of film, being, and reality, building on film philosophy and the speculative turn in contemporary philosophy.
Thinking Touch in Partnering and Contact Improvisation
What happens when artists take touch as a starting point? This collection of essays offers unique insights into contact in dance, with practitioner and scholarly perspectives on the importance of touch in choreography, philosophy, education, and 21st century performance.
PhotographyDigitalPainting
This anthology explores the connections between photography, the digital, and painting in contemporary art. Renowned artists, academics, and theorists investigate medium-fluidity through essays on AI generation, hyperreal photography, and art that synthesises the three mediums.
To understand the concept of “the end of art”, this book analyses the intellectual trajectory of Arthur Danto. It connects his philosophy of art with his whole philosophical system, covering his achievements in philosophy of action, history, and art.
The Spaces That Never Were in Early Modern Art
This book explores liminal spaces: worlds on the blurred boundary between reality and imagination. Not found on maps, they are confined in gardens and collections, transforming a mere image into a political manifesto or a dream of absolute power.
Abstraction Matters
This collection of essays presents eminent sculptors of the 20th century through their “own words.” Focusing on the rich theoretical discourse of abstraction, contributors analyze the artists through the key-notions of “Sensation,” “Idea,” and “Language.”
This anthology offers readers a greater appreciation of the thought-provoking, informative and compelling subject of the human senses and related sensuous trajectories. It will be of particular value to those interested in aesthetics and the arts.
Botanical Speculations
This conference proceedings brings together researchers, artists, art historians, and activists to collaboratively map the uncharted territories of new forms of botanical knowledge, and to capitalize on contemporary art’s ability to productively unhinge scientific theories.
Combs focuses on “cinematic knowing” as an expression of ludenic experience, and considers how this way of seeing has expanded our visual acuity and experience, including not only hindsight and foresight, but also insight and indeed even “blindsight”.
Playing with Possibilities sits at the heart of all creative endeavours. This collection brings together thinkers and writers to explore the potential of play to shape who we are and the worlds we live in, asking us to celebrate fanciful approaches to living.
Leonardo da Vinci and The Virgin of the Rocks
This is the first monograph dedicated to Leonardo da Vinci’s commission for The Virgin of the Rocks, which he painted twice. It opens up Leonardo’s world and unveils the secret realms of human dissection and philosophy that inspired the creation of the painter’s two masterpieces
Encompassing papers from the 2014 Lisbon Conference on Philosophy and Film, this compilation discusses new aspects and approaches of how philosophy relates to film. It explores film’s nature philosophically and provides new insights for the film philosopher and the filmmaker.