What are the characteristics of media in small nations? This collection brings together perspectives and case-studies from across Europe to explore the challenges and advantages, providing insights into media policy, representation, and national identity.
Intermingled Fascinations
This collection of essays analyzes Sinophone and Franco-Japanese transnational cinema, exploring films about migration, exile, and imprisonment. United by themes of displacement and liminality, this anthology reveals how cinema represents diasporic communities.
Visual Conflicts
This collection of essays explores how visual cultures engage with armed conflict and violence. Each author considers how visual representations of conflict across various media—from painting to photography—shape the meanings of events, identity, and memory.
New Cinema in Turkey
Ottone focuses on Turkish cinema that has seen the emergence and consolidation of a strong internationally-recognised authorship. He assesses the last twenty years of the “New Turkish Auteur Cinema” by comparing the so-called “3rd generation” to a 4th generation of directors.
This provocative collection of essays traces the conflicted history of Bertolt Brecht’s encounters with Broadway. It explores how his epic theater has been co-opted by commercialism and what this suggests for the future of political theater in the U.S.
This volume addresses place, mobility, identity, and community in Transnational and Indigenous Studies. It conceptualizes a comparative paradigm for crossing national boundaries to imagine a shared world of poetics and aesthetics.
Classical drama on the modern stage is a major cultural and political phenomenon. Intertwined with the politics of locale, language, and culture, its performance is a feature in all types of theatre. These essays provide case studies for everyone in the field.
Recent decades in Spain and Latin America have seen transnational voices, typically stereotyped or alienated in the West, gain increasing presence in cultural texts. These essays explore new ways of seeing and interpreting the Middle East and the East in contemporary films.
“Clearing the Ground”
Was the Field Day Theatre Company the “cultural wing” of Sinn Fein and the IRA, or a new critical voice challenging traditional representations? This study critiques the successes and failures of a company that discussed identity, memory, and history in new ways.
Bound by Love
The bonds of love can bring bliss or demand sacrifice; they can save us or destroy us. This book explores how familial bonds in film and television reveal a cultural dialogue about the changing nature of love and the American family.
Following Forms, Following Functions
The contributions here are devoted to the analysis of the relationship between form and function, two concepts that have played, and continue to play, an important role in several disciplines, from philosophical reflection to theoretical biology.
Celluloid Saviours
In “film blanc,” a spirit helps a hero reform. This book traces the genre from *It’s a Wonderful Life* to *The Truman Show*, linking its history to the rise and fall of American liberal thought.
Theatre Theory and Performance
Biswas offers a starting point for a much-needed critical interrogation of theatre today. He looks at the constant features of European theatre and brings in some Indian elements, before scrutinising the symbiosis that has been functioning for some time.
Highlighting the growing interest in consciousness studies, these essays explore the relationship between human consciousness and the arts, including theatre, literary studies, film, fine arts and music.
This volume combines the fields of intellectual studies, religion, literature, and visual culture to explore the complexities of conceptual paradigms that represent various manifestations of the idea of light.
Comic Grace
This book asks not only why some movie comedies are great, but what is unique and enduring in the legacy of comedy on film. It entertains the proposition that comedy may be motion picture’s greatest achievement, inquiring into what audiences cherish.
Showing the World to the World
This book explores the socio-political themes that marked French cinema of the 1990s and 2000s. It examines how these “political fictions” contribute to a new realism through in-depth discussions of films from *La Haine* to lesser-known works.
Myths are the blueprint for creativity. This volume presents an innovative theory of the creative process, explaining how authentic art transcends time to communicate with us today. It also explores the fascinating link between madness and creativity.
Forgotten British Film
Gillett exhumes some of the films released in Britain over the last 70 years, including Daybreak (1948), and he probes the reasons for their neglect. He considers the contributions of those involved in the films and examines such issues as the response of critics and audiences.
Emerson Goes to the Movies
This book traces Emersonian individualism in Disney’s post-1989 animated films, proving self-reliance is still alive in popular culture. It explores what influences Disney and how individualism intersects with race, gender, class, and imperialism.
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