What does an artist express when creating artwork? What does a perceiver contemplate during an aesthetic experience? This book explores the object of reflection for both creator and viewer, relying on Malgorzata Cazarnocka’s conception of symbolic truth to provide answers.
Ethics is not just ‘being good’, but living a ‘good life’. This book highlights that being good is a matter of acting good—of performing certain roles and duties. It explores this relationship between ethics and performance from natality to fatality.
Abstraction Matters
This collection of essays presents eminent sculptors of the 20th century through their “own words.” Focusing on the rich theoretical discourse of abstraction, contributors analyze the artists through the key-notions of “Sensation,” “Idea,” and “Language.”
How do great works of art live on long after their cultures have vanished? This book rejects the idea that art is simply timeless. It argues that art transcends time through a process of metamorphosis, posing a major challenge to traditional aesthetics.
Art as “Night”
Art as “Night” proposes a type of dark, a-historical knowledge crossing painting from Velázquez to Richter and Kiefer. It argues for a non-discursive form of intellection embodied in the work of art—a pure visual and moral agency lost since the Baroque era.
Why does representational art thrive in the 21st century? This indispensable book skewers contemporary orthodoxies to provide the answer.
To understand the concept of “the end of art”, this book analyses the intellectual trajectory of Arthur Danto. It connects his philosophy of art with his whole philosophical system, covering his achievements in philosophy of action, history, and art.
From classical tragedy to post-9/11, these essays explore terror as a perennial theme in the arts—a thread woven into the fabric of artistic expression and life itself.
Being and Film
This book develops a “solaristic ontology” of film—a philosophical system based on Andrei Tarkovsky’s 1972 sci-fi movie Solaris. It explores the nature of film, being, and reality, building on film philosophy and the speculative turn in contemporary philosophy.
Beyond the Skin
“We are our bodies, we have our bodies, we make our bodies.” In a world of multiplying screens that transforms us into spectators, how do we find our identity? This book explores the boundary between bodies and technology to reclaim the social.
Botanical Speculations
This conference proceedings brings together researchers, artists, art historians, and activists to collaboratively map the uncharted territories of new forms of botanical knowledge, and to capitalize on contemporary art’s ability to productively unhinge scientific theories.
Cinema and Evil
This book explores films that address the problem of evil, drawing on thinkers from Manicheanism to Arendt. It considers how filmmakers like Fritz Lang and Michael Haneke use “dangerous” films to task us with considering evil as our own responsibility.
A philosopher and artist analyzes the clash between government funding and censorship. Combining philosophical analysis with interviews with censored artists, this book reveals why freedom of expression is vital for a society to be both stimulating and safe.
This book provides a critical analysis of creativity in art, focusing on artistic creation and aesthetic perception. Long dismissed from aesthetic discourse, it argues that studying creativity is essential to understanding the nature of the artistic and the aesthetic.
Culture and Dialogue
Culture and Dialogue explores dialogical practice within culture, be it philosophy, art, or politics. This Special Issue is devoted to the theme of “religion and dialogue,” bringing together a range of outstanding essays on the subject.
Darkening Scandinavia
Darkening Scandinavia is a philosophical meditation on the true nature of the Northern Darkness. It explores the deeply-moving expressions of artists like Burzum, Nicolas Winding Refn, and Per Petterson, revealing the visceral Void in Nordic soulscapes.
This book shows that Eugene O’Neill’s modern American drama is a survey on the politics of desire and the power of doom. The city is the stage where his protagonists, as desiring machines, try to evade modern closed circles of power, anticipating concepts from Gilles Deleuze.
Dossier Chris Marker
A study of Chris Marker’s works, focusing on the dynamic interplay of political and subjective agency. It is this very conflict that animates all of Marker’s extensive works, which act as a “mask” or “screen” for forces that reside beyond the frame.
Ethical Encounters
These essays on theatre ethics demonstrate how academics and artists have thought about its ethical implications. They debate relevant issues and explore what is possible within theatre, challenging you to form and develop your own opinions and resultant actions.
The performing arts remain an underexplored territory for aesthetics. This volume collects essays by international scholars who address the core philosophical topic of expression, questioning the roles of the performer, the work, and the spectator.